East Side Union High School District, Yerba Buena Performing / Fine Arts Classroom and Theater Building. | Photo Credit (all): Courtesy of HED
By Mary Ruppenthal
Creating safe environments is the top priority when it comes to designing schools. From an architectural standpoint, addressing both physical and psychological factors when it comes to safety is vital. After all, security isn’t simply a matter of creating a safe and secure campus perimeter and single point of public entry. It’s about fostering community and placemaking, empowering ownership and promoting positive interactions—all of which serve as a foundation for student and staff safety. Effective school design practices nurture belonging, flex to adapt to evolving learning styles and, of course, establish physical security.
Belong: Safeguarding Openness and Inclusivity

Building community starts with framing schools as student-centered spaces. By minimizing secluded and isolated areas and maximizing passively supervisable open spaces for a variety of large and small group gatherings, designers can craft places that enhance positive connections while reducing stress and anxiety. Conversely, dark corners and unsupervised spaces tend to increase the potential for bullying and disruptive behavior. Clear sightlines matter, so that teachers, staff, and students can observe or engage across adjacent spaces.
While students need to be seen in the literal sense, they also need to feel seen. Students are less likely to slip through the cracks when their learning environment delivers options for a variety of learning styles, including smaller gathering and break-out sessions, contemplative spaces and room to gather on a larger scale. Therefore, weaving collaborative spaces of different sizes throughout the environment is key to nurturing a sense of connection.
Architects are also finding ways to shift teacher-student interactions from purely occurring in the classroom to more organic encounters throughout the campus. For example, by building administrative offices at the back of the student union, teachers and students naturally and informally interact as teachers pass through the communal space.
On larger campuses, the idea of creating a school within a school is gaining traction. Designing educational environments to accommodate cohorts of 250 students or less can help nurture a sense of belonging. If students feel engaged and welcome in part, through a campus’ layout that’s an important step toward building pride of place. Technical elements, like comfortable seating and warm colors, help create an inviting atmosphere. Leaning into flexible spaces is also an excellent path to supporting a strong, inclusive culture.
Adapt: Enhancing Flexibility for Maximizing Learning and Community

Accommodating different learning styles requires flexibility in terms of classroom and campus configurations. For example, kinesthetic learning requires ample space for movement and collaboration, ideally with plentiful wall and even interior window space for whiteboarding and wallboarding. Without losing connection to the main classroom, break-off spaces for varying levels of small-group lessons or contemplative study require passive supervision.
The average 960-square-foot classroom can flex in a variety of ways to meet students where they are. For example, operable partitions can help reconfigure a classroom, creating smaller spaces or opening to a larger collaborative environment. Beyond the classroom itself, glass walls and windows to common areas allow visible connections to adjoining learning and gathering spaces. In the case of indoor-outdoor layouts, a glass garage door connection could provide a supervisory link to an exterior space where louder, messier or larger projects can take place.
At the high school level, creating a multi-use, dynamic space rather than a siloed building not only enhances efficiency, but also checks all the boxes of a safe environment: passive supervision, pride of place and interconnectedness. For example, HED’s Yerba Buena High School’s new performing and fine arts classroom and theater building completely re-envisions and revives the visual and performing arts community on the campus. The design of multipurpose classrooms and stage space (divided by an operable partition as needed), replaces what was once a stagnant and rarely used theater at the end of its useful life and will, when complete, be dynamically full of student life with space to gather throughout the day, visual and performing art classes and display, performances, and community events.
Mary Ruppenthal is an architect and Education Market Sector leader at HED.